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“I’ve been looking at [Keret’s] Substack and it’s so witty and enjoyable, and he’s clearly having a wonderful time doing it, I thought, ‘maybe I could do that’” — Salman Rushdie, The Guardian

Myth Milk

My first paid writing gig was reviewing films for a local Jerusalem newspaper. Every week, I wrote about one of the movies that the paper’s regular critic refused to watch, and in return I got $25 and my movie ticket reimbursed. Since the regular critic had very high-brow tastes, I was almost always forced to review B action flicks staring Steven Seagal, Jean-Claude Van Damme, Dolph Lundgren, and other musclemen-philosophers. One thing most of these fight movies had in common was their extreme male chauvinism, which was perfectly in synch with the misogynistic zeitgeist of the early nineties. My exposure to all these intense outbursts of on-screen testosterone eventually led to this story, written from the perspective of a female character in the clichéd, objectifying movies like the ones I reviewed. It was a strange experience to record an audio version of this story thirty-two years after it was written. The world has definitely changed since then, but the violence and reductive thought that pervade the story are still disturbingly relevant.

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Dear Mum: in Israel this year has been indescribably awful. How I wish you were here

It’s been five years since you died, and I’m only now writing. I’m sorry it took me so long, but I was waiting for some good news to share, and there never was any.

Photograph: Nir Alon/Zuma Press Wire/Rex/Shutterstock

אוטוקורקט

"היקום הקורס אל תוך עצמו של קרת הוא היקום שלנו, ולמול התחושה שלא נותרו לנו בו כמעט שום נקודות ייחוס יציבות, הכתיבה הקרתית היא נקודת ייחוס יציבה; ומוכרותה, שבנסיבות אחרות הייתה יכולה לשמש כטיעון כנגדה, הופכת לעוגן חיוני מתמיד. כי בקיום שמשתנה באופן בלתי נסבל כל כך, הופך הקבוע והיציב לאפשרות היחידה שלנו לזהות את עצמנו, לנקודת הייחוס שלמולה אנו יכולים לתפוס את ההשתנות ולאמוד את דרכנו על פני המסלול הבלתי מובן שעושה הכוכב שבו נגזר עלינו לחיות."

- שירי ארצי, ידיעות

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“What About Me?“

Written by Etgar Keret and Shira Geffen for “Short Stories on Human Rights“ (2008).

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Random quote

Her third story started out funny. It was about a woman who gave birth to a cat. The hero of the story was the husband, who suspected that the cat wasn't his. A fat ginger tomcat that slept on the lid of the dumpster right below the window of the couple's bedroom gave the husband a condescending look every time he went downstairs to throw out the garbage.

— "Creative Writing"

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איך זה נגמר בסוף כולם יודעים

נקמה מול נחמה — זהו העימות האמיתי המתחולל כרגע בישראל, והוא מתקיים בכל הגזרות: מפגישת הצעקות של ראש הממשלה נתניהו עם ראשי מערכת הביטחון ועד להתפרעות בשדה תימן. אלוהים גדול, על זה כולם מסכימים, אבל מה עומד אצלו קודם ברשימת המטלות: פדיון שבויים או מחיקת זרע עמלק?

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Words Without Borders, 2010

I believe that there is a truth. I believe it is very difficult to articulate that truth. I try to go in that direction, but I don’t pretend I will get there.

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New York Times, 2012

For Keret, the creative impulse resides not in a conscious devotion to the classic armature of fiction (character, plot, theme, etc.) but in an allegiance to the anarchic instigations of the subconscious. His best stories display a kind of irrepressible dream logic

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